I LOVE Arkells. They sing confident rock songs. Songs that reflect the innocence of nostalgia, the beauty of vulnerability and the joy of being human.
Sometimes, that passion manifests itself in the form of audible yelps, owwws, ooohhs, yeahs!, etc. from lead singer Max Kerman. Max has soul. Max has swagger, chutzpah, je ne sais quoi, piss & vinegar, what-ever-you-call-“it”. And my favourite part of his lyrics, are always the unscripted, passionate “yells”.
Maybe you’ve found yourself at the 7 second mark of Leather Jacket and added a “YEAH!” in time with Max. Or maybe while driving in the middle of summer with your windows down and your shades on, you yell out at the 2:18 mark of Whistleblower because….well, because you can’t help yourself.
I took the entire Arkells catalogue and clipped together every single one of Max’s audible, passionate moments. 27 in total and lined up in chronological order. Give this Supercut a listen.
And enjoy this old pic of me and the guys with my favourite coffee mug…
Jay Onrait is successful (duh). The broad strokes of his resume are: 10+ years hosting SportsCentre on TSN, 4 years on FS1 (FOX Sports 1) in the US, and 2 best-selling books. He’s set to return to TSN in September with Dan O’Toole….Canadians haven’t been this jazzed since the Golden Goal.
Jay was the keynote speaker at NAIT’s annual Media Broadcast day Saturday. If you’re thinking about getting into the Media, here are the Top 10 Tips I took from his presentation:
- Establish industry contacts early and put together a “demo” ASAP (read “What Color is your Parachute” for more on this)
- There is no replacement for face-to-face conversation when looking for a job.
- Embrace any city/town you land in.
- Find common ground with others to get over personality conflicts and always turn the other cheek.
- Remember: you’ll always be working when your friends and family are not. Get used to it.
- Don’t judge anything/anybody/anyplace until you get there and see/meet/experience it/them for yourself.
- Get used to hearing “no” a lot. Lose your sensitivity to it, but never stop asking.
- Writing is STILL the most important skill in this industry. Find a reason and an outlet to do it more.
- For that first job, be willing to move anywhere. Your first job is the toughest one to get.
- As of now: your social media existence is different. Be a professional because anything you say can and will be used against you.
“How did you become a Music Director?” That is the question I answer most as a Radio Instructor at NAIT. And my answer is always the same, “you learn on the job.” I was lucky enough to work in environments that fostered and accommodated my learning and development; a rare luxury afforded to many media companies and offices these days. Today’s MD’s and PD’s are swamped –often managing multiple properties– so how does the next generation of Music Directors get started?
Music Director Bootcamp is a weekend course I’m developing with the help of NAIT’s Continuing Education Department and contacts at leading industry software companies including MusicMaster.
Students will learn the basics –and into the “next steps”– of selecting, scheduling, and managing a station’s music library and industry relationships. Is this the sort of course you, or somebody you manage, would benefit from? Do you have a suggestion to make the experience the best it can be? I’d love to hear from you. email@example.com
Review from last weeks picks: +/- is from the BDS Canada: Modern Rock 7-Day Rolling Chart and reflects total spins on the chart
- JR JR – Gone (-13)
- Finish Ticket – Color (not on chart)
- Struts – Kiss This (-5)
- Kaleo – Way Down We Go (+40)
- Bear Hands – 2 am (-20)
- Cage the Elephant – Trouble (+16)
- Struts – Kiss This (so nice, I named it twice)
- Disturbed – The sound of Silence (+1)
- Catfish and the Bottlemen – Soundcheck (+10)
- Andrew McMahon in the Wilderness – High Dive (not on chart)
This Weeks Picks
- Red Hot Chili Peppers – TBA (out tomorrow)
- Radiohead – Burn the Witch
- Bishop Briggs – River
- Sheepdogs – Bad Lieutenant
- July Talk – Push + Pull
- Joywave – Destruction
- Silversun Pickups – Circadian Rhythm (last dance)
- Kongos – Take it from Me
- Kurt Vile – Pretty Pimpin’
- Young the Giant – Something To Believe In
What are you adding this week??
These 10 songs (in no particular order) are poised to explode at Modern Rock Radio in Canada before mid-May. My research indicates these tracks are on the rise and could demand regular-rotation spins soon.
- JR JR – Gone
- Finish Ticket – Color
- Struts – Kiss This
- Kaleo – Way Down We Go
- Bear Hands – 2 am
- Cage the Elephant – Trouble
- Struts – Kiss This (so nice, I named it twice)
- Disturbed – The sound of Silence (this is not a typo)
- Catfish and the Bottlemen – Soundcheck
- Andrew McMahon in the Wilderness – High Dive
Hockey and Rap Music would be an odd couple. Imagine those two out to dinner: Hockey with the mullet in all denim; Rap in Gucci with gold chains. Makes zero sense. That said; here are 3 rappers who have seamlessly worked hockey refrences into their music
I’m in it to win it like Yzerman. – Kid Rock (Wasting Time)
Kid Rock is from Detroit so this adds up. Yzerman is a hockey legend in Michigan so it makes sense that Rock would compare himself to the three time Stanley Cup champion.
I’m still walking through the crowds like I cant be touched. Top back all black Gretzky puck. – Rick Ross (Tears of Joy)
Geography can’t explain this one. Rozay is from Mississippi and went to university in Florida. Gretzky was a West Coast guy (with the Kings). Maybe Ross just loves the idea of comparing himself to the Great One?
By chance I see her in the lobby of the Ritz. When her man, the one that swings a hockey stick. – Action Bronson (Easy Rider)
Bronson is a strange dude. A former chef turned rapper. Is this lyric about Action bumping into a hockey-player-dating-ex of his? It’s possible.
My dad renovated our family’s basement when I was a teenager. This meant my older brother and I got our own bathroom. We felt like royalty. Every young man should have his own space to shower and apply liberal amounts of Calvin Klein “Obsession”. Our new “puberty chamber” was also another space my engineering brother could engineer in some music.
Upstairs, my parents controlled the CD player and Radio tuner. (CD players; remember those?) My Mom loved Patsy Cline and Stevie Nicks. My Dad was into Jethro Tull and ZZ Top, and we got one radio station. Let me be clear: I consider myself fortunate to have had parents who were into good music during my young years. But it still wasn’t “our” music. Before an abundance of radio stations, mp3’s and on-demand music a kid had to WORK to hear his or her own music. Thankfully my resourceful brother found a way to rig some small external speakers via his stereo onto the bathroom shelves by dropping them through the ceiling tiles. This was some next level stuff as far as I was concerned.
We listened to a lot of different music getting ready for school. Pearl Jam’s “Ten” was a favourite as was Collective Soul’s “Hints Allegations and Things Left Unsaid.” Then it happened. At some point, my brother dropped in the smalls self titled debut. The tape (Tapes; remember those?) was probably a dub, of a dub, of a dub. Neither my brother or I were old enough to get into a bar to see the smalls and actually buy a tape. I was impressed. I was even more impressed when somebody told me that the smalls were a band from Edmonton. WHAT? You can DO that?! I assumed that only bands with actual recordings were all rich rock stars who lived in Hollywood.
I can remember, like it was yesterday, those little speakers blasting out Dan-Diddle-A-Na. I’d be pulling on a t-shirt, snugging on my Atlanta Braves ball-cap, and adding an extra dash of Obsession while my brother honked from his Honda CRX in the driveway. I had to respect his timeline, he was my ride and he owned a leather jacked.
I can safely say that it was the smalls, not the Clash, The Ramones or The Sex Pistols that introduced me to “punk”. It was Edmonton’s own the smalls. Now for the first time in over a decade, the band is back together to play SONiC BOOM 2014. I hope to see you at the show, and if you can’t find me, follow the strong scent of citrus notes with a musky undertone.